From the influence of his parents to his own artistic path, this five-part portrait of an extraordinary conductor reveals his intimate approach to music, which he sees as a universal language and a vehicle for understanding.
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Contrary to the claims of the reference edition, Hercules is not an oratorio. Handel always wanted it to be considered a musical drama, and thus an opera in English. In order to reinforce the dramatic tension and to give Hercules its operatic colors, David Stern proposes an interpretation based on the original manuscript and the reworkings that Handel made in 1749 and 1752.