Shanghai – December 16/Paris – January 21/Leipzig – June 23
“Bach‘s final large-scale vocal composition presents itself to us as the composer‘s artistic legacy. Like no other of Bach‘s works, the B-minor Mass is a consummation of his writing for the voice……“ Christoph Wolff
Begun in 1715 as a 1-part mass for the Dresden court, Bach came back to the score throughout his life, ultimately completing it in 1749 shortly before his death. Its manuscript, preserved in the Berlin Staatsbibliothek joins Beethoven’s 9th symphony as the only musical works to be included in UNESCO’s Memory of the World register.. Joining Opera Fuoco’s orchestra and three young artists on this tour to the Shanghai Symphony Orchestra Hall ~ where the piece will be heard for the first time in 100 years, the Paris Philharmonie and Leipzig’s Thomaskirche, are soloists Andreas Scholl, Markus Werba, Laurent Naouri and the Tölzer Knabenchor.
Contrary to the claims of the reference edition, Hercules is not an oratorio. Handel always wanted it to be considered a musical drama, and thus an opera in English. In order to reinforce the dramatic tension and to give Hercules its operatic colors, David Stern proposes an interpretation based on the original manuscript and the reworkings that Handel made in 1749 and 1752.
The Palm Beach Opera presents Mozart’s most enigmatic opera, Cosi Fan Tutte, where love and friendship are intertwined and put to their greatest tests.
Fils du violoniste Isaac Stern, le plus français des chefs d’orchestre américains a une passion pour la musique et Paris. Il fête cette année les vingt ans d’Opera Fuoco, sa compagnie lyrique, pépinière de futurs virtuoses.