Shanghai – December 16/Paris – January 21/Leipzig – June 23
“Bach‘s final large-scale vocal composition presents itself to us as the composer‘s artistic legacy. Like no other of Bach‘s works, the B-minor Mass is a consummation of his writing for the voice……“ Christoph Wolff
Begun in 1715 as a 1-part mass for the Dresden court, Bach came back to the score throughout his life, ultimately completing it in 1749 shortly before his death. Its manuscript, preserved in the Berlin Staatsbibliothek joins Beethoven’s 9th symphony as the only musical works to be included in UNESCO’s Memory of the World register.. Joining Opera Fuoco’s orchestra and three young artists on this tour to the Shanghai Symphony Orchestra Hall ~ where the piece will be heard for the first time in 100 years, the Paris Philharmonie and Leipzig’s Thomaskirche, are soloists Andreas Scholl, Markus Werba, Laurent Naouri and the Tölzer Knabenchor.
Telemann’s version of Handel’s Riccardo Primo. Performances with Opera Fuoco Young Artists and instrumentalists, singers from the Magdeburg Theater troupe, and Magdeburg […]
Figaro in the City is a modern-day retelling of Mozart’s Marriage of Figaro: “la folle journée” is full of playful and hurtful intrigues that lead up to one of the most moving final scenes in opera history. Opera Fuoco’s young singers step into a staging that takes them away from the confines of a stage and into the city of Paris’ quirky ateliers, streets and gardens. Filmed in playback to allow for theatrical intimacy and the safety of the cast during the Covid-19 pandemic, the camera itself becomes a character, reacting to each turn of the plot. As the instrumentalists and conductor disappear, the characters move fluidly from the opening opera rehearsal atmosphere to a real-life scenario.
Like with any television series, each episode of Figaro in the City was created to heighten the dramatic tension of the plot and to leave the audience waiting to see what happens next, all the while remaining faithful to Mozart’s original score. Conductor David Stern collaborated with videographer and stage-director Alexandre Camerlo to forge the artistic direction of this contemporary adaptation of an 18th-century classic. Special thanks to Laurent Naouri for joining the Opera Fuoco Young Artists in his debut performance as Bartolo.