Shanghai – December 16/Paris – January 21/Leipzig – June 23
“Bach‘s final large-scale vocal composition presents itself to us as the composer‘s artistic legacy. Like no other of Bach‘s works, the B-minor Mass is a consummation of his writing for the voice……“ Christoph Wolff
In a production inspired by film noir and staged by Kristine McIntyre, Mozart’s opera is a brilliant combination of stark human tragedy and touching human comedy. For Mozart and da Ponte, the seducer is amoral and yet sincere until his doom. Unrepentant, he refuses his last chance to atone in his final moments, and we are all mesmerized by his descent into hell.
David Stern, chief conductor of Palm Beach Opera, conducts the masterpiece which quickly became the barometer for all musical drama to come.
Palm Beach Opera
February 22, 23, 24, 2019
Johann Strauss’ Die Fledermaus is a comedic series of mischief, intrigue, and revenge set at a lavish Viennese bal. Palm Beach Opera’s Chief Conductor, David Stern, conducts this high-spirited comedy, directed by Artistic Director of Opera at Manhattan School of Music, Dona Vaughn.
Returning to Palm Beach Opera after a critically-acclaimed performance in The Pirates of Penzance, world-renowned mezzo-soprano Stephanie Blythe is Orlofsky.
March 22, 23, 24, 2019
Date: 22nd February 2019
Location: West Palm Beach, FL
February 22, 2019
February 23, 2019
February 24, 2019
Kristine McIntyre, stage director
Date: 22nd March 2019
March 22, 2019
March 23, 2019
March 24, 2019
Date: 30th March 2019
Location: La Barbacane, Beynes
Opera Fuoco Production
Catherine Cohen, stage director
David Stern's musical leadership is spread across three continents. Whether conducting a major symphony orchestra, baroque opera, teaching vocal master classes or defending cultural activities, Stern keeps his musicians, students and audiences riveted by sharing his strong musical convictions, his flexibility of approach and his belief that music is relevant and indeed essential in today's world. He is the founder and director of the Paris-based opera studio and period-instrument ensemble Opera Fuoco, as well as artistic adviser and chief conductor of the Shanghai Baroque Festival and chief conductor of the Palm Beach Opera in Florida.
David Stern’s inspires the singers with all the necessary impulses, through constant attention to breathing and balance. He keeps the tension of the drama, thanks to the vigor and honed palette he unleashes from his chamber-size orchestra…. With vocal revelations of such a high level, one has to say that Opera Fuoco has surpassed its expectations.
Mehdi Mahdavi, Opera Magazine, December 2018
« This weekend’s exuberant Palm Beach Opera premiere in Kravis Center uses a version created for the New York Philharmonic in 2004….
It’s a provocative and entertaining experience. David Stern’s buoyant musical direction buttresses … an exhilarating, superbly cast and imaginatively directed spectacle. »
Palm Beach Daily News, February 2018
« Happily the Magdeburg Theater’s in-house orchestra, to which were added several members of the French ensemble Opera Fuoco (from which a good part of the singer soloists also came) delivered its goods. David Stern, director of the ensemble, who has been frequent guest with his musicians at the Elbe, assured a warm and lyrical-cantabile sound with several beautiful instrumental solos. This was far from given, considering that a few hours earlier, the renowned ensemble Concerto Köln…. »
Frankfurter Allgemeine Zeitung, March 2018
OPERA FUOCO – APARTÉ
Opera Fuoco’s latest recording features three former members of the Opera Fuoco studio, Lea Desandré, Natalie Perez, Chantal Santon and the Opera Fuoco orchestra conducted by David Stern. Berenice, che fai? is a compilation of late Baroque and early Classical works based principally on Metastasio’s famous 18th-century opera scene « Ah Berenice » from his opera Antigono.
Not only was the scene set to music by such composers as Haydn and Hasse, but also by Antonio Maria Mazzoni and Marianna Martinez, a composer of Spanish descent who was widely connected to the Viennese music scene and, for a time, lived in the same noble house as Metastasio and Haydn at Grosse Michelstrasse. The young Mozart’s concert aria « Berenice » and Johann Christian Bach’s aria « Confusa, smarrita» from the composer’s lost pasticcio opera, Berenice, as well as Hasse’s Antigono overture complement the program.
Cherubini, Boisselot, Hérold
Karine Deshayes / Opera Fuoco
FRENCH ROMANTIC CANTATAS
Recording produced by the Palazetto Bru Zane, Centre de Musique Romantique
Française, and released by Zig-Zag Territoires / Outhere
Karin Deshayes joins an impressive list of vocal artists with whom David Stern and Opera Fuoco have performed and recorded. The French Romantic Cantatas represents a sampling of Cherubini and his contemporaries with excerpts form Cherubini’s Medée and Circé and cantatas by Hérold, Catel and Boisselot. These cantatas are highly dramatic works in the styles of bel canto and magnificently orchestrated precursors to the lyric works of Berlioz. The romantic, mythological theme of the femme abandonnée unites all five works on this new disc. The French Romantic Cantatas is Opera Fuoco’s fourth disc, following Johann Christian Bach’s opera, Zanaida, released in 2012.
Johann Christian Bach
Opera Fuoco / Zig-Zag Territoires / Outhere